Why Apple Pro Technologies?
Mobile Lab's main workstation contains the maximum configuration of processors, ram, SSD's and graphics boards in Apple's new, hyperfast Mac Pro, also fitted with the added Afterburner - a card defined as a "Game-Changing Accelerator". This monster machine can process contemporarily 6 streams of ProRes 8K RAW or 23 streams of ProRes 4K RAW.
The ability to grade native 8K is even more critical than editing it.
Mobile Digital Lab also sports two of Apple's brilliant new 1000 nits. 32" displays - the 6k XDR's, which can also display HDR. In the words of Jarred Land, president Red Digital Cinema "Apple’s new hardware brings a mind‐blowing level of performance to proxy‐free r3d workflows".
Grant Petty, CEO of Blackmagic Design adds;
"With the new Mac Pro and Afterburner, we see full‐quality 8K performance in real-time with colour correction and effects, something we could never dream of doing before. DaVinci Resolve running on the new Mac Pro is easily the fastest way to edit, grade, and finish movies and TV shows.”
"In my modest opinion, I can say that I bought my first Mac more than 40 years ago, and I've always preferred them to other operating systems, thanks to their ease of use and reliability; now that the new powerful multi-processor pro workstations have become extremely powerful workhorses, and offer the flexibility of numerous card slots, its a no - brainer". (co-founder David Bush)
Why Apple Pro Technologies?
Mobile Lab's main workstation contains the maximum configuration of processors, ram, SSD's and graphics boards in Apple's new, hyperfast Mac Pro, also fitted with the added Afterburner - a card defined as a "Game-Changing Accelerator". This monster machine can process contemporarily 6 streams of ProRes 8K RAW or 23 streams of ProRes 4K RAW.
The ability to grade native 8K is even more critical than editing it.
Mobile Digital Lab also sports two of Apple's brilliant new 1000 nits. 32" displays - the 6k XDR's, which can also display HDR. In the words of Jarred Land, president Red Digital Cinema "Apple’s new hardware brings a mind‐blowing level of performance to proxy‐free r3d workflows".
Grant Petty, CEO of Blackmagic Design adds;
"With the new Mac Pro and Afterburner, we see full‐quality 8K performance in real-time with colour correction and effects, something we could never dream of doing before. DaVinci Resolve running on the new Mac Pro is easily the fastest way to edit, grade, and finish movies and TV shows.”
"In my modest opinion, I can say that I bought my first Mac more than 40 years ago, and I've always preferred them to other operating systems, thanks to their ease of use and reliability; now that the new powerful multi-processor pro workstations have become extremely powerful workhorses, and offer the flexibility of numerous card slots, its a no - brainer". (co-founder David Bush)
Why Apple Pro Technologies?
Mobile Lab's main workstation contains the maximum configuration of processors, ram, SSD's and graphics boards in Apple's new, hyperfast Mac Pro, also fitted with the added Afterburner - a card defined as a "Game-Changing Accelerator". This monster machine can process contemporarily 6 streams of ProRes 8K RAW or 23 streams of ProRes 4K RAW.
The ability to grade native 8K is even more critical than editing it.
Mobile Digital Lab also sports two of Apple's brilliant new 1000 nits. 32" displays - the 6k XDR's, which can also display HDR. In the words of Jarred Land, president Red Digital Cinema "Apple’s new hardware brings a mind‐blowing level of performance to proxy‐free r3d workflows".
Grant Petty, CEO of Blackmagic Design adds;
"With the new Mac Pro and Afterburner, we see full‐quality 8K performance in real-time with colour correction and effects, something we could never dream of doing before. DaVinci Resolve running on the new Mac Pro is easily the fastest way to edit, grade, and finish movies and TV shows.”
"In my modest opinion, I can say that I bought my first Mac more than 40 years ago, and I've always preferred them to other operating systems, thanks to their ease of use and reliability; now that the new powerful multi-processor pro workstations have become extremely powerful workhorses, and offer the flexibility of numerous card slots, its a no - brainer". (co-founder David Bush)
David Bush & Mike Connor present a cutting edge editing, colour grading and DIT unit created by them & based on their wish lists for post-production after decades of production and post-production experience.
The system is placed on or near set and is designed to save time & money for producers while offering exceptional quality for advertising, documentary, film & television production and post.
The core of the system is an extremely powerful workstation based on a fully optioned Apple Mac Pro with Da Vinci Resolve software & hardware. The combination avoids the need to use the traditional off-line (or with proxies) workflow, then re-conforming on-line, and the time required for this.
With the Mobile Lab, it is now possible to work with a full high-resolution deliverable or master in HD, 2k, 4k, or 8k from the first day of shooting.
The Mobile Lab is both a lightning-fast DIT workstation and creative editorial, colour grading and audio editing hub - all within a single system.
David Bush & Mike Connor present a cutting edge editing, colour grading and DIT unit created by them & based on their wish lists for post-production after decades of production and post-production experience.
The system is placed on or near set and is designed to save time & money for producers while offering exceptional quality for advertising, documentary, film & television production and post.
The core of the system is an extremely powerful workstation based on a fully optioned Apple Mac Pro with Da Vinci Resolve software & hardware. The combination avoids the need to use the traditional off-line (or with proxies) workflow, then re-conforming on-line, and the time required for this.
With the Mobile Lab, it is now possible to work with a full high-resolution deliverable or master in HD, 2k, 4k, or 8k from the first day of shooting.
The Mobile Lab is both a lightning-fast DIT workstation and creative editorial, colour grading and audio editing hub - all within a single system.
David Bush & Mike Connor present a cutting edge editing, colour grading and DIT unit created by them & based on their wish lists for post-production after decades of production and post-production experience.
The system is placed on or near set and is designed to save time & money for producers while offering exceptional quality for advertising, documentary, film & television production and post.
The core of the system is an extremely powerful workstation based on a fully optioned Apple Mac Pro with Da Vinci Resolve software & hardware. The combination avoids the need to use the traditional off-line (or with proxies) workflow, then re-conforming on-line, and the time required for this.
With the Mobile Lab, it is now possible to work with a full high-resolution deliverable or master in HD, 2k, 4k, or 8k from the first day of shooting.
The Mobile Lab is both a lightning-fast DIT workstation and creative editorial, colour grading and audio editing hub - all within a single system.
David Bush & Mike Connor present a cutting edge editing, colour grading and DIT unit created by them & based on their wish lists for post-production after decades of production and post-production experience.
The system is placed on or near set and is designed to save time & money for producers while offering exceptional quality for advertising, documentary, film & television production and post.
The core of the system is an extremely powerful workstation based on a fully optioned Apple Mac Pro with Da Vinci Resolve software & hardware. The combination avoids the need to use the traditional off-line (or with proxies) workflow, then re-conforming on-line, and the time required for this.
With the Mobile Lab, it is now possible to work with a full high-resolution deliverable or master in HD, 2k, 4k, or 8k from the first day of shooting.
The Mobile Lab is both a lightning-fast DIT workstation and creative editorial, colour grading and audio editing hub - all within a single system.
David Bush
David Bush
David Bush
David Bush
David Bush
David Bush
David Bush
Articles
Welcome to our articles where you can read about some of the work we have done over the past 40 years.
Whether recalling experiences in Blue and Green Screens or restoring the original camera negative of Charlie Chaplin’s “The Vagabond” to complex Visual Effects for Tornatore’s “the Legend of the Pianist” this part of the site is dedicated to divulging our knowledge.
We also invite you to to send us articles of your own film making experiences.
Please send any relevant articles to david.bush@me.com
Our articles include:-
Masterclass in 3D production and post
Alberto Parodi sound production and post
Please look out for future articles.